Cam
Bradley

The pencil came first. Ten-plus years of graphite portraiture — faces, light, patience — before the first machine ever hummed. That's why nothing here starts as a stencil off the internet: every tattoo begins life as a drawing.

The lanes are medium-to-large scale anime and black & grey realism — work sized to have room to breathe, and shading that treats a manga panel with the same respect as a photograph. Bring the character, the memory, or the reference; it gets rebuilt by hand until it's yours alone.

Melanated skin is a specialty. Contrast, saturation, and healing get planned for deeper tones from the first sketch — so the healed piece keeps the drama of the fresh one.